A bird flying over water with trees in the background.

LOUISIANA


A person sitting on the ground in front of water.
Ben Pierce Photography

I come from tears, I come from joy
I come from pain, I come from ease
From time-infested lies and truth that will not die
I come from Louisiana

A person sitting on the ground in front of water.

I come from scoundrels and from saints
From mothers old with toil and moneyed indolents
I come from Jesus and from Rex
I come from Louisiana

A person sitting on the ground in front of water.I come from backwoods berry trails and morning jasmine dew
From summer firefly nights and crashing thunder-rain
From mist of bayous’s breath and windy forest sighs
I come from Louisiana

A person sitting on the ground in front of water.

I come from running away and yearning for home
Once I was old, now I am young
Once I was there, now I am here
What I really want to say is—

I come from Louisiana

Louise Canfield

The “Write” Word


A person sitting on the ground in front of water.

 

“The difference between the right word and the almost right word is the difference between lightning and a lightning bug.â€

Mark Twain

 

 

There are many reasons I should not write. It is hard work and it takes a lot of my time.  Closeted in my “woman-cave†bent over my computer,  I become unavailable to friends and family, my exercise program crumbles, meals are hastily thrown together, my sleep is interrupted.   And worse, I willingly put myself  in the path of constant rejection.   So why write?

I write because I love to write and I love to read.  I love everything about books: the covers that promise hours of enchantment, their heft in my hands, the sweetly musky smell. I love  rows of
books stacked neatly on bookshelves.  I love remembering first book, its colorful pictures,  the A person sitting on the ground in front of water.delight of  learning to translate the symbols on the page into words that conjured fantastical thoughts, faraway places, exciting ideas.  I find comfort in bookshops and libraries.  I love being surrounded by books and by people who love books.

I learned to love writing from my heroes;  Mark Twain, Sylvia Plath, Wallace Stegner, Maya Angelou, Anias Nin, Jon Hassler, Amy Tan, Elizabeth Berg, Richard Russo, Barbara Kingsolver…and so many others.  Their words drew me in, not moralizing, prideful words, but  awkward stumbling words,  anguished, hurting words that gave voice to my feelings.  Thrilling words, words pulsing with danger. Angry words, hateful words.  And words pregnant with joy, melodic with peace and love. I loved them all.   Their words opened new worlds to me,  urged me to revisit old ones, challenged my beliefs, made me laugh and sent tears streaming down my face;  told me who I was and showed me who I wanted to be.

I love everything about the  “Worddom” and I want to be a part of it.  I want to provide a link in the wordchain to our children’s children and their children’ children.    I want them to know my stories and my truths. It is why  I compulsively, painstakingly, rummage through dictionaries, thesauri and lexicons for that one word that compels the reader to feel the emotion, see the landscape, love the character, believe in her.  And once retrieved, it is why I must measure its texture and its heft in my mind,  imagine its hue, hear its sound.  It must tell the truth.

This kind of writing does not come easy for me.  By nature, a curious soul, I am easily distracted by  the  “busy-ness” and business of writing;  intimidated by the daily deluge of blogs, posts and tweets, hawking elite and pricey workshops, conferences and retreats where I am sure to optimize my platform and craft a best-seller.  And  above all, I am admonished to devote large A person sitting on the ground in front of water.blocks of time daily to write, regardless of how inappropriate,  to write anything at all, no matter how nonsensical and vapid,  in order to attain my daily  “word count”.   Oddly, there is little in this daily digital tirade about the art of reading or the craft of writing.  I wonder what Mark Twain’s  reaction would be.  Somehow I don’t see him worrying about his Twitter account.

But, this is the digital age, after all,  and I acknowledge its importance as well as the need for marketing.  I maintain a blog, a Facebook page and a Twitter account.  I read blogs.  I subscribe to writers magazines and attend a few workshops.  All of this is helpful and entertaining.  But  I have decided to spend what time I have to reading and word-smithing.   If this brings my truth to the written page, and if my words touch the hearts of a reader or two, it will be enough.

 

 

PLEASE SPARE OLD BETTY, by Lesley Humphrey. A “Southern Transplant” shares her art and love of horses.

 

A person sitting on the ground in front of water.
“1914 : Old Betty, War Pony†by Lesley C. Humphrey

As an artist and painter, one never knows when inspiration will hit… Last year, during a visit to the Imperial War Museum North in Manchester, England, I encountered a remarkable photo and letter written during World War I, to Lord Kitchener by a young girl, Freda Hewlett. The poem inspired “War Horse†the play… An excerpt follows:

“Dear Lord Kitchener,

We are writing for our pony which we are very afraid will be taken for your army. Please spare her! Daddy says she is going to be a mother early next year and she is 17 years old. It would break our hearts to let her go. We have given 2 others, and 3 of our family are now fighting for the Navy.

Mother and all will do anything for you, but do please let us keep old Betty and send official word quickly before anyone comes.

Your Troubled Little Britishers,
Freda and PL Hewlett.
A person sitting on the ground in front of water.

Don’t you just love the passion and creativity of children? Within days, they received their response.

Happily for them, their pony was spared…

The letters were inspiring enough but, by coincidence, I grew up and rode ponies in Haigh, exactly where ‘Old Betty’ and the “Troubled Little Britishers†lived 100 years ago. The result is my painting above “1914 : Old Betty, War Pony†by Lesley C. Humphrey is a 30†x 40†oil on canvas. It bears fragments of the “Little Britishers†letter and Lord Kitchener’s response. Colour and strong, gestural lines wind turmoil with hope in this painting, about gentle children caught in the turbulence and mayhem of war. It was commenced as an art exhibition at the centenary World War 1 event at Haigh Hall, Wigan, 2014.

A person sitting on the ground in front of water.

Born and raised in England, Lesley Humphrey has lived for 31 years in Houston, Texas with her husband Larry and three children.  Lesley is a prolific artist and horse aficionado. Her art is well known to Texans as well as internationally.  In her words,  Lesley “loves being a southern transplant.â€Â You can view more of Lesley’s work at http://www.lesleyhumphrey/net.

 

A group of children standing around an old man.

Storytellers


I come from a long line of Storytellers.  If I asked my mother what day of the week Christmas fell on this year,  her answer might take a few minutes as she reckoned it against the events of  last year.

“It was on a Wednesday last year, I know that, because  I remember thinking I wouldn’t have to iron that week, Wednesday being my ironing day.  And I know it was last year because that’s when  Emma’s grandbabby was born.  Poor little tyke  had to have an operation of some kind.  I forget now.  Had to be in the hospital for several daysA person sitting on the ground in front of water. and Emma was just beside herself.  I had to go over and help her with the housecleaning, she was so upset.  She had all that company, all the way from Oklahoma, you know.  Her two brothers, Pete and Buddy, and their wives and five kids, the oldest only seven,  her great Aunt Mary,  in a wheelchair, and Aunt Mary’s lapdog.  Meanest little cuss you ever saw.    All of them there to see the baby.   It was a crowd, I’ll tell you that.  Poor little tyke.  But  he’s OK now, you’d never know anything happened. Such a pretty baby.  And smart as a whip.   Emma’s so proud.

So since it was Wednesday last year, it must be on a Thursday this year.”

If all of that sounds a little convoluted and tedious, you don’t come from a family of Storytellers.    Nothing happens in isolation to a Storyteller.

“The Wreck At Sugarmill Junction† is inspired by an accident that happened in a small town near my home in Louisiana. The accident itself was unremarkable. Nothing much more than a slightly damaged squad car.  What interested me was that no one who witnessed the accident saw the same thing. Not even close.   But even more intriguing was the Storytellers’  strong sense of place.  Each identified themselves in unique relationship to their community, relating the story in the context of the place and people they knew.  The Storytellers  savored, almost seemed to taste, each detail in their narrative.  In the long years away from home, I had forgotten about the Storytellers’ version of the news.   I was spellbound,  a child again, for a moment in time,  hypnotized by the lyrical cadence of the speech, the escalating excitement as the story approached its apogee,  the dramatic conclusion, the inevitable coda, “Oh, and another thing…”

Storytellers cannot be rushed.  They require a peaceful setting.  A porch swing accompanied by mending and fresh lemonade is ideal, but a vegetable garden or a kitchen will do.   Storytellers do not frequent Facebook, Instagram or Twitter. The story is based on fact,  but details can be altered if need be to make the point.   Truth, not fact,  is what Storytellers are about.

And my mother’s storytelling; while mixing biscuit dough, hanging clothes on the clothesline, sewing, picking peas from the garden;  in the midst of life is where I learned our family history.  Here is where I met my ancestral heroes and villains (in Mother’s opinion), learned about my grandmother’s struggles in the Great Depression, and her mother’s difficult life in the “War Between the States.† Here is where I formed my concept of right and wrong, good and bad, what is acceptable behavior and what is definitely not.

My mother worked hard.  There were no vacuum cleaners, automatic dryers, microwaves or air conditioners.  Our food came mostly  from our gardens and stockyards, not the local A&P.    My clothing did not come from Neiman Marcus, my mother sewed it on a vintage Singer sewing machine.   She did not have the luxury of sitting down every morning with a Moleskin journal and a pretty pen to write her memoirs.  Her stories were her memoir.

I am afraid we’ve lost the art of storytelling.   At the least, it’s a dying art. In our large cities, the people, places and things around  us  provide little more than a backdrop for our busy lives. We rush past traffic accidents with no thought for the victims, more than a little annoyed that we’ll be late for whatever seems crucial at the time.  We read in “bytes.† I wonder how War And Peace  would make it in our “Haiku worldâ€.  But there’s no chance of turning back the clock, and the idea of that is no doubt better that the reality.  But, every now and then, I just need to listen to a Storyteller.

———-

Look for The News from Sugarmill Junction, Chapter 3, coming soon.

RealSouthernWomen redux


                                                                                                                                         

A person sitting on the ground in front of water.

Welcome to my blog.  Exciting new features have been added.

In Southern Showcase, Southern women writers will share their experiences about life in the South.

Real Southern Women will present  true stories of  famous and not-so-famous southern women.

The News from Sugarmill Junction will transport you  back in time to experience life in mid-twentieth century,  small town Louisiana from the perspective of its citizens.   Look for the first installment soon.

I hope you will enjoy the stories and add your comments to our discussion.

Facelift


A person sitting on the ground in front of water.I’ve never been a fan of facelifts, but after 18 months, it’s time for a new look.     My facebook page has been retitled Southern Women Writers.  Look there for posts from great women writers, writing tips,  original art by southern women, information on upcoming workshops and conferences and profiles of famous women in history.

At realsouthernwomen.com, you’ll be seeing  more guest writers, commentary, short stories and southern memorabilia.  For starters.  Stay tuned.