A woman sitting on top of a wooden bench.

Why am I here?


In her latter years, my mother used to ask that a lot.  I never knew what  to say, so I usually said something trite like “We still need you here.”  At which she would click her tongue against her teeth the way she did when I disagreed with her politics.

What was she asking, I wondered.  Did she still dream of unrealized ambitions in her nineties?   I always found the question unsettling and frankly, a little annoying.A person sitting on the ground in front of water.

But now that there are many more birthdays behind than before me, I think I get it.  I think she was reflecting over her long life and trying to make sense of it.  And I find myself doing the same.    What has my life meant?  At the finish line, will I be able to say I have   “fought the good fight” ?    Did I miss my “calling,” my high purpose?  The olympic swimmer,  the nuns of Calcutta, the Nobel Laureate, the musical prodigy;  they had a calling, didn’t they?  A custom made life-suit,  into which they fit perfectly.   Their one true path.  Is there one for me?

In my early life, I was sure of it.    My life would be exciting, full of high purpose, awe-inspiring.   Unlike my mother’s.  Especially, not like my mother’s.

A person sitting on the ground in front of water.Mind you, my mother  was not a slacker. She was a strong and intelligent woman; a school teacher, an avid reader, a seamstress and amazing gardener.   She make great chicken and dumplings and rhubarb pie. She survived two husbands and lived independently for 92+ of her 93 years.

But.  She never wrote a book, climbed a mountain, ran a corporation (or a marathon)  or held public office.  For most of her life she lived in the same community.  To my impatient, arrogant 18-year-old eyes, her life looked mundane,  aimless, pointless even.  Not mine, I vowed.  I would  set goals for myself and go about achieving them.  Simple as that.

A person sitting on the ground in front of water.But it didn’t quite work out that way.  My path took unexpected twists and  turns.   It  didn’t  lead steadily  to a noble destination, but instead  wound  through brambles, tangled ravines and rocky boulders.  I ran, I  stumbled,  I climbed, I  tripped,  I fell and I recovered,  with varying degrees of grace.

Admittedly, on its surface,  my life looks radically different from that of my mother.  I left home at an early age, attended  universities in distant states,  managed a demanding career,  travelled the world; accumulated a modicum of recognition for my work.  But at its core,  like my mother’s, my life was made of the usual stuff;  education, career, marriage, children, retirement.   And my path, like hers, was not the work of destiny, but the result of choices.

And  my path has  led me…. here. Not to a mountaintop and not to a swamp.  As it did my mother.

A person sitting on the ground in front of water.

It’s tempting to  fall for the “one true thing”  pitch.  The idea that  we are  entitled to  the one true love, the one perfect career, the one true happily-ever-after is very appealing.   And perhaps it is true for some.   But my life didn’t  come with a blueprint; I made choices, sometimes wisely, sometimes foolishly, that in the aggregate defined my path.  I wasn’t always sure of my choices,  and  they didn’t always lead to the mountaintop.

If I could answer my mother  now, I would reassure her that she didn’t miss her calling.  Like me, she simply made choices that led her to her destination.   And  at the end of the day, it was not our accomplishments, as my teenage self thought,  but the accumulation of our everyday thoughts and actions that defined us. Both of us.

A person sitting on the ground in front of water.

 

 

A drawing of people outside of an old building.

Celebrating Southern Writers: Sally Whitney


A person sitting on the ground in front of water.One of the many benefits to me of this blog is the opportunity it provides me to  celebrate  the successes of fellow southern women writers.   I am delighted to  showcase  Sally Whitney’s  latest book, Surface and Shadow, just released today.

A few weeks ago, I asked  Sally to share some of her thoughts about being a southern writer and in particular, what inspired her latest book.

What gave you the idea for this novel?

 I can’t say that anything gave me the idea for this novel. The idea just seemed to grow. Strong women have always been my favorite characters in novels, so I knew my novel would have a woman as the protagonist. I think women have a hard time being strong because for many years, expectations and requirements have been set against them. Too often, women have to show strength in defying cultural norms before they can be strong anywhere else. I wanted to show this personal battle within my protagonist. I’m also interested in North Carolina cotton-mill towns, partly because very few of them still exist. I put the woman in the cotton-mill town and asked “What if?†And the story grew from there.

 Why did you choose to write about the South?

 The South chose me. Place is very important to my fiction. Often with short stories I get a sense of place before anything else. I see a backyard vegetable garden baking in the mid-summer sun. Or a front porch sagging under the weight of family generations who have traipsed across it. With Surface and Shadow, I saw the narrow main street of a small town with its decades-old store fronts and a mysterious aging farmhouse partly obscured by trees and flowers.
Always the places I see are in the South, usually in North Carolina. And it’s not just the physical places that draw my thoughts in that direction. It’s a sense of mystery and wonder, history and hope, darkness mixed with light. When I was in graduate school in New Jersey, I tried to write about a woman living in New Jersey, but my professor told me to “get that woman back down south where she belongs.†He knew where my imagination lives.

 What do you think are the greatest pitfalls to writing about southern women?

 Number one is falling prey to stereotypes. We all know them. Southern women have been caricatured in books and movies and jokes since such means of communication began. But avoiding stereotypes and still conveying some of southern women’s significant characteristics can be tricky. Stereotypes, like caricatures, have some basis in truth. While southern women are not as hung up on social niceties and proper etiquette as they’re often portrayed, we do expect people to be kind to each other. Good manners are nothing more than being considerate of other people. We are not simpering, obedient belles trying to please the men in our lives. We do not go to college just to find a husband. We are independent women, but we often find ways of exerting that independence that are more persuasive than combative. We like men, and generally love a few of them, but they aren’t required to help us lead fully developed lives.

 What do you think defines a “southern writer?â€

 Although southern writers are often defined by where they live, I think they’re more accurately defined by the books they write. My favorite contemporary southern authors, including Lee Smith, Joshilyn Jackson, Tom Franklin, and Fannie Flagg, tell stories of passionate people caught in difficult circumstances, not necessarily unique to the South, but certainly influenced by southern culture, climate, and geography. In Jackson’s gods in Alabama, for example, the great respect many Alabamans hold for football plays an important role. In Franklin’s The Tilted World, which he wrote with his wife, Beth Ann Fennelly, the roaring force of the southern Mississippi River is a major character. Heat is often one of my favorite characters in stories by southern writers. Although other parts of the United States can be hot, there’s no heat like southern heat. And heat can make people do crazy things. Southern writers understand the South and its people with all their beauty and their flaws. They know the strong ties between the people and the land and the climate. Their stories could not take place anywhere else.

For more about Sally Whitney and her work, see this blog, May 1, 2015.  

 

 

 

 

 

 

 

 

 

 

Silent Healing


 

A person sitting on the ground in front of water.
In this Sunday, Aug. 14, 2016 photo, Louisiana Army National Guard dump truck, loaded with rescued flood victims, makes it way back to dry land in Walker, La., after heavy rains inundating the region,(AP Photo/Max Becherer)

In the haggard silence, there can be no words

A  merciless anguish falls on the sodden bodies

But comforting too, the  bodies close

Pressed, crushed together

They are a single throbbing wound

That can only heal as one.


Of all the heartbreaking photos of the flooding disaster in Louisiana, last weekend (and there were so many),  this one cries to me the loudest.  The faces register shock, disbelief, loss, pain.   And yet there are no tears.   Old and young stand together, defiant,   facing ahead  in  a solid show of will.   Their common  suffering has become the bond that will unite them to survive

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Southern Originals: Marie Thérèse Metoyer


A person sitting on the ground in front of water.
Marie Therese Coincoin, Artist Interpretation from Geni.com

Marie Therese Coincoin is truly a Southern Original.  Her life story is surprisingly little known, and yet so amazing as to be incredulous.   In the words of her biographer (1) Coincoin was “born a slave … and became an independent black woman in a world dominated by white men. She adapted successfully to all the situations that life presented to her; from being the concubine and housekeeper of a rich white man, she became a profitable farmer and businesswoman in her own right.â€
“She was born a slave and became an independent black woman in a world dominated by white men.

This was a woman  born at the lowest rung of her society, who endured deprivation, injustice and hardship, not the least of which was her absolute lack of freedom.  Unfortunately, she left no written record, but nothing in the historical records suggest that she faced formidable challenges with anything but courage and grace.

Marie Therese Coincoin was born a slave  in Nachitoches, La in August, 1742.  She lost her parents to the plague when she was 16 and was taken into the household of her godmother, Marie de Soto.  During this period, she had five children with a fellow slave.   When she was 24 she was “loaned” to Pierre Metoyer, recently arrived wealthy French merchant .  Over the next 20 years she lived in the house with Metoyer and born him 10 children.  In 1777, a Spanish Priest denounced her as a “public concubine” and ordered her out of Metoyer’s home.  This prompted Madame deSoto, who still owned Marie Therese to finally sell her to Metoyer,  who bought her freedom as well as that of their 10 children who were slaves of the deSoto family.   Marie Therese, Metoyer and their children lived together in apparent financial and family stability for the next decade, although she was unable to free her three oldest children.  However Metoyer  eventually  succumbed to public pressure to marry a “suitable” French woman.

A person sitting on the ground in front of water.
Cane River, Nachitoches, La
A person sitting on the ground in front of water.
Melrose Plantation, (Photo: Henrietta Wildsmith/The Times)

We know nothing of her reaction to the ending of their relationship, however, we can only imagine the pain of this betrayal.  However,  in parting, Metoyer gave her a yearly annuity and a plot of land  on the banks of Cane River, which allowed her finally to be independent.  She built a house, farmed tobacco, raised cattle and trapped bears, and slowly accumulated more land.  Because of this size of her businesses, she eventually  took on slaves  to work her land.  Again, we can only imagine her sentiments at becoming a slaveowner after having gained her own freedom at such a price.  By some accounts, she did this in a desperate attempt to free her remaining enslaved children and grandchildren. Sadly, she was never able to free all of her children.

A person sitting on the ground in front of water.
Melrose Wash House Wikipedia Commons

Over time Marie Therese’s family became the leading family of Isle Brevelle, a thriving community of “gens de couleur libre”, free people of color;  business people, plantation and slave owners.      Cane River’s famous Melrose Plantation  was built by her son Louis over the period
1810-1832.    Melrose was completed by Louis’  son Jean Baptiste after Louis’ death. When Jean Baptiste died in 1838, the Melrose estate was valued at over $100,000. The Metoyer family owned Melrose Plantation from 1796 until 1847. http://bit.ly/1OCe35

(1) African American National Biography, Oxford University Press, 2008

Facelift


A person sitting on the ground in front of water.I’ve never been a fan of facelifts, but after 18 months, it’s time for a new look.     My facebook page has been retitled Southern Women Writers.  Look there for posts from great women writers, writing tips,  original art by southern women, information on upcoming workshops and conferences and profiles of famous women in history.

At realsouthernwomen.com, you’ll be seeing  more guest writers, commentary, short stories and southern memorabilia.  For starters.  Stay tuned.

Patricia Neely-Dorsey: “Goodwill Ambassador” for the South


A person sitting on the ground in front of water.Patricia Neely-Dorsey shares her love of the South through her poetry. “I believe that we can bridge many gaps of misunderstanding across regional, racial, cultural, generational and economic lines by simply telling/sharing our stories,” she says.  “Through my poetry, I attempt to give a positive glimpse into the Southern way of life.”

In college, her nicknames were Tupelo and Mississippi. She recalls, “Whenever my friends saw me coming, they knew that there would be some type of discourse about Mississippi and the South soon to follow…hoping to clear up their many misconceptions and preconceived notions.â€

Patricia grew up in Tupelo, Mississippi, in the red clay hill country.  Following her graduation from Boston University, she worked nearly 20 years in Memphis, Tennessee in the mental health industry. Patricia returned to her hometown in  2007 where she currently lives with  husband James, son Henry, and Miniature Schnauzer, Happy.

Patricia’s two books of poetry, Reflections of a Mississippi Magnolia- A Life In Poems (2008) and My Magnolia Memories and Musings (2012), are available from Amazon. More information is available on her website, www.patricianeelydorsey.webs.com.One of her best-known, “Southern Life†is reprinted here with the author’s permission.

A person sitting on the ground in front of water.