Rethinking New Year’s Resolutions


A person sitting on the ground in front of water. Most of my New Year’s Resolutions  over the years haven’t lasted past  the last winter’s frost.  So last year I  finally decided to avoid the guilt and let myself off the hook (Post 1/1/15).

But it didn’t feel quite right.  It isn’t just that New Year’s resolutions are a tradition, like the ball on Times Square on New Year’s Eve.  There’s something more.  Writing  new year’s resolutions requires that I take the time to  thoughtfully review the past year and to look forward into the new one.  Each resolve is  the hope to become something better than I am.  This brand new year will provide fresh opportunities to be a kinder, more compassionate, more balanced person.  In this new year there will be times to smile more; to be more playful and less anxious; ways to spend more energy on the people in my life and less on the“busyness†of life.   To forgive more and worry less.

So this year I’m giving it another try.  Maybe I’ll be more successful this time.   But  even if my resolutions last only three months; three weeks, or three days, it will be  time well spent. Happy New Year!

The “Write” Word


A person sitting on the ground in front of water.

 

“The difference between the right word and the almost right word is the difference between lightning and a lightning bug.â€

Mark Twain

 

 

There are many reasons I should not write. It is hard work and it takes a lot of my time.  Closeted in my “woman-cave†bent over my computer,  I become unavailable to friends and family, my exercise program crumbles, meals are hastily thrown together, my sleep is interrupted.   And worse, I willingly put myself  in the path of constant rejection.   So why write?

I write because I love to write and I love to read.  I love everything about books: the covers that promise hours of enchantment, their heft in my hands, the sweetly musky smell. I love  rows of
books stacked neatly on bookshelves.  I love remembering first book, its colorful pictures,  the A person sitting on the ground in front of water.delight of  learning to translate the symbols on the page into words that conjured fantastical thoughts, faraway places, exciting ideas.  I find comfort in bookshops and libraries.  I love being surrounded by books and by people who love books.

I learned to love writing from my heroes;  Mark Twain, Sylvia Plath, Wallace Stegner, Maya Angelou, Anias Nin, Jon Hassler, Amy Tan, Elizabeth Berg, Richard Russo, Barbara Kingsolver…and so many others.  Their words drew me in, not moralizing, prideful words, but  awkward stumbling words,  anguished, hurting words that gave voice to my feelings.  Thrilling words, words pulsing with danger. Angry words, hateful words.  And words pregnant with joy, melodic with peace and love. I loved them all.   Their words opened new worlds to me,  urged me to revisit old ones, challenged my beliefs, made me laugh and sent tears streaming down my face;  told me who I was and showed me who I wanted to be.

I love everything about the  “Worddom” and I want to be a part of it.  I want to provide a link in the wordchain to our children’s children and their children’ children.    I want them to know my stories and my truths. It is why  I compulsively, painstakingly, rummage through dictionaries, thesauri and lexicons for that one word that compels the reader to feel the emotion, see the landscape, love the character, believe in her.  And once retrieved, it is why I must measure its texture and its heft in my mind,  imagine its hue, hear its sound.  It must tell the truth.

This kind of writing does not come easy for me.  By nature, a curious soul, I am easily distracted by  the  “busy-ness” and business of writing;  intimidated by the daily deluge of blogs, posts and tweets, hawking elite and pricey workshops, conferences and retreats where I am sure to optimize my platform and craft a best-seller.  And  above all, I am admonished to devote large A person sitting on the ground in front of water.blocks of time daily to write, regardless of how inappropriate,  to write anything at all, no matter how nonsensical and vapid,  in order to attain my daily  “word count”.   Oddly, there is little in this daily digital tirade about the art of reading or the craft of writing.  I wonder what Mark Twain’s  reaction would be.  Somehow I don’t see him worrying about his Twitter account.

But, this is the digital age, after all,  and I acknowledge its importance as well as the need for marketing.  I maintain a blog, a Facebook page and a Twitter account.  I read blogs.  I subscribe to writers magazines and attend a few workshops.  All of this is helpful and entertaining.  But  I have decided to spend what time I have to reading and word-smithing.   If this brings my truth to the written page, and if my words touch the hearts of a reader or two, it will be enough.

 

 

PLEASE SPARE OLD BETTY, by Lesley Humphrey. A “Southern Transplant” shares her art and love of horses.

 

A person sitting on the ground in front of water.
“1914 : Old Betty, War Pony†by Lesley C. Humphrey

As an artist and painter, one never knows when inspiration will hit… Last year, during a visit to the Imperial War Museum North in Manchester, England, I encountered a remarkable photo and letter written during World War I, to Lord Kitchener by a young girl, Freda Hewlett. The poem inspired “War Horse†the play… An excerpt follows:

“Dear Lord Kitchener,

We are writing for our pony which we are very afraid will be taken for your army. Please spare her! Daddy says she is going to be a mother early next year and she is 17 years old. It would break our hearts to let her go. We have given 2 others, and 3 of our family are now fighting for the Navy.

Mother and all will do anything for you, but do please let us keep old Betty and send official word quickly before anyone comes.

Your Troubled Little Britishers,
Freda and PL Hewlett.
A person sitting on the ground in front of water.

Don’t you just love the passion and creativity of children? Within days, they received their response.

Happily for them, their pony was spared…

The letters were inspiring enough but, by coincidence, I grew up and rode ponies in Haigh, exactly where ‘Old Betty’ and the “Troubled Little Britishers†lived 100 years ago. The result is my painting above “1914 : Old Betty, War Pony†by Lesley C. Humphrey is a 30†x 40†oil on canvas. It bears fragments of the “Little Britishers†letter and Lord Kitchener’s response. Colour and strong, gestural lines wind turmoil with hope in this painting, about gentle children caught in the turbulence and mayhem of war. It was commenced as an art exhibition at the centenary World War 1 event at Haigh Hall, Wigan, 2014.

A person sitting on the ground in front of water.

Born and raised in England, Lesley Humphrey has lived for 31 years in Houston, Texas with her husband Larry and three children.  Lesley is a prolific artist and horse aficionado. Her art is well known to Texans as well as internationally.  In her words,  Lesley “loves being a southern transplant.â€Â You can view more of Lesley’s work at http://www.lesleyhumphrey/net.

 

A group of children standing around an old man.

Storytellers


I come from a long line of Storytellers.  If I asked my mother what day of the week Christmas fell on this year,  her answer might take a few minutes as she reckoned it against the events of  last year.

“It was on a Wednesday last year, I know that, because  I remember thinking I wouldn’t have to iron that week, Wednesday being my ironing day.  And I know it was last year because that’s when  Emma’s grandbabby was born.  Poor little tyke  had to have an operation of some kind.  I forget now.  Had to be in the hospital for several daysA person sitting on the ground in front of water. and Emma was just beside herself.  I had to go over and help her with the housecleaning, she was so upset.  She had all that company, all the way from Oklahoma, you know.  Her two brothers, Pete and Buddy, and their wives and five kids, the oldest only seven,  her great Aunt Mary,  in a wheelchair, and Aunt Mary’s lapdog.  Meanest little cuss you ever saw.    All of them there to see the baby.   It was a crowd, I’ll tell you that.  Poor little tyke.  But  he’s OK now, you’d never know anything happened. Such a pretty baby.  And smart as a whip.   Emma’s so proud.

So since it was Wednesday last year, it must be on a Thursday this year.”

If all of that sounds a little convoluted and tedious, you don’t come from a family of Storytellers.    Nothing happens in isolation to a Storyteller.

“The Wreck At Sugarmill Junction† is inspired by an accident that happened in a small town near my home in Louisiana. The accident itself was unremarkable. Nothing much more than a slightly damaged squad car.  What interested me was that no one who witnessed the accident saw the same thing. Not even close.   But even more intriguing was the Storytellers’  strong sense of place.  Each identified themselves in unique relationship to their community, relating the story in the context of the place and people they knew.  The Storytellers  savored, almost seemed to taste, each detail in their narrative.  In the long years away from home, I had forgotten about the Storytellers’ version of the news.   I was spellbound,  a child again, for a moment in time,  hypnotized by the lyrical cadence of the speech, the escalating excitement as the story approached its apogee,  the dramatic conclusion, the inevitable coda, “Oh, and another thing…”

Storytellers cannot be rushed.  They require a peaceful setting.  A porch swing accompanied by mending and fresh lemonade is ideal, but a vegetable garden or a kitchen will do.   Storytellers do not frequent Facebook, Instagram or Twitter. The story is based on fact,  but details can be altered if need be to make the point.   Truth, not fact,  is what Storytellers are about.

And my mother’s storytelling; while mixing biscuit dough, hanging clothes on the clothesline, sewing, picking peas from the garden;  in the midst of life is where I learned our family history.  Here is where I met my ancestral heroes and villains (in Mother’s opinion), learned about my grandmother’s struggles in the Great Depression, and her mother’s difficult life in the “War Between the States.† Here is where I formed my concept of right and wrong, good and bad, what is acceptable behavior and what is definitely not.

My mother worked hard.  There were no vacuum cleaners, automatic dryers, microwaves or air conditioners.  Our food came mostly  from our gardens and stockyards, not the local A&P.    My clothing did not come from Neiman Marcus, my mother sewed it on a vintage Singer sewing machine.   She did not have the luxury of sitting down every morning with a Moleskin journal and a pretty pen to write her memoirs.  Her stories were her memoir.

I am afraid we’ve lost the art of storytelling.   At the least, it’s a dying art. In our large cities, the people, places and things around  us  provide little more than a backdrop for our busy lives. We rush past traffic accidents with no thought for the victims, more than a little annoyed that we’ll be late for whatever seems crucial at the time.  We read in “bytes.† I wonder how War And Peace  would make it in our “Haiku worldâ€.  But there’s no chance of turning back the clock, and the idea of that is no doubt better that the reality.  But, every now and then, I just need to listen to a Storyteller.

———-

Look for The News from Sugarmill Junction, Chapter 3, coming soon.

Standing with Mother Emanuel


It’s been two weeks since the horrific shootings at Emanuel AME Church in Charleston,  and we’re hearing a lot about A person sitting on the ground in front of water. Standing with Mother Emanuel. There are inspiring speeches, demonstrations of community solidarity, outpourings of outrage, grief and support to the community.  I pray we have at last turned a corner in our violent history, but experience tells me we have a fragile peace.

Our good intentions so easily get swept away by the whirlwinds of everyday lives, responsibilities and private crises.  Perhaps we succumb to  the emotion of the moment without understanding the promises we’re making.  Perhaps we’re just indulging in righteous indignation. In any case, A person sitting on the ground in front of water.we’ve been here before.   I am old enough to remember the Freedom Rides, Rosa Parks,  the March on Washington, Selma;   the Civil Rights Act of 1964, the Voting Rights Act of 1965, and of course, the historic election of our first African-American President.  But I also remember too many rally calls to re-dedicate our wounded nation to  racial equality, peace and justice in the aftermath of  yet another act of racial violence.

Over the period of 1963 to present, there have been 45 riots  over 23 states involving African-Americans in the United States; nine from 2001 to present.  To name a few;  Watts (1965), “The Long Hot Summer of 1967 (nine states),  Rodney King (1991) and of course Ferguson (2015). (1) And  yesterday in Charlotte NC,   Briar Creek Baptist Church, was struck by an arsonist.  Its parishioners are predominately African-American, and  once more a hate crime investigation is underway.

No matter your views on any of these tragic incidents,  we are clearly doing something wrong.  Hordes of solutions have been proposed and implemented with varying success; legislation, government programs, church programs, peace marches, and no doubt these  efforts have averted some of the violence.  But clearly, there is no simple solution. Trite as it sounds, I believe that enduring change among people happens one person at a time.  Slowly, but it happens.

I have learned much about race relationships, and many other things, from my grandchildren.  The youngest, JJ, started first grade in a new school that enrolls children from over 50 zip codes in the Houston area.  After his first day, he remarked warily,  “I don’t know, Mom, there are a lot of strangers there!† She reassured him they would soon be friends.  And they were.

Perhaps it’s learned, perhaps wired behavior,  but whatever the origin, we are wary of strangers.  And rightly so; after all,  we teach our children about “stranger-danger.†  But there’s another kind of “stranger danger” – the danger of blaming strangers for our troubles  when we have no understanding of theirs.  We all do it; I’d like to think, mostly unconsciously. But the “strangersâ€Â Â we need to befriend are not the guy walking toward us  at night in the long overcoat, or the teenager cutting us off on the freeway, but the people in our daily lives.  The woman at the auto parts store, the guy at the pizza parlor, the high school student at the dry cleaner, the checker in the grocery line, the postman and yes, the unwary telemarketer who interrupts our dinner by doing her job.

When our communities were small and everyone looked pretty much the same,  we  accepted each other,  often grudgingly,  for who we were.  We had to, we depended on each other.   Attacks on each other were rare and almost always  localized to a few people  with some sort of private feud.    Now most of us live in cities where  hundreds of  anonymous faces encounter us on the street, in cars,  busses, and airplanes.  Unless we have school-age children, most of us know only a few of our neighbors.  We may recognize familiar faces on our daily commute or in coffee shops for years yet never speak to each other.  Instead we are mesmerized by our electronic devices, oblivious of those around us.    More and more of our “friends†are  on social media.

It’s not enough.  We need community.  If we befriend that neighbor who looks a little different, we may reconsider reporting him to the neighborhood association for weeds in his lawn.  Maybe we’ll find out he’s carrying for his critically ill wife.   Perhaps if we learn about the trials of the working mom from the harried checker in the grocery line we might start contributing to, or even working at, the local food bank.  If we communicate in Spanglish with the lady at the laundry, perhaps we will both improve our language skills and come to know each other as neighbors and not competitors.   At least the efforts will make someone’s day a little brighter.  However we do it,  we need more friends and fewer “strangers† in our lives.

For centuries Southern women have been the cornerstones of the family.  These strong women held their families together through enduring hardships and stood for justice at no small cost to themselves. They were our role models.  And the values they passed to us  are our gifts  to our children and their children.  I believe it is my responsibility to my children and grandchildren to live out my commitment to justice,  not just in the aftermath of tragedy, but in my daily encounters with those around me.  If I do nothing, my grandchildren can only conclude it was unimportant to me, and if I have any influence on them,  by example, not worthy of their time.    I have no illusion that community-building will stop racial violence, but I do believe that one person at a time,  we can build communities that make a  difference.

Emanuel African Methodist Episcopal Church, founded in 1816,  is the oldest African Methodist Episcopal church in the Southern United States.   The original church was burned down by in 1822 by white supremacists and rebuilt in 1865.  Her pulpit has hosted such luminaries as Booker T Washington, Martin Luther King,  Coretta King, and most recently Barak Obama.  She has survived an earthquake and a hurricane and severe structural damage due to lack of funds for repair. (2)  But She is  still standing.   Are we?

Note:  The previous post from Zetta Brown was written the week before the Charleston shootings.  It exemplifies by its content and responses from readers, that the kind of community suggested here can indeed exist and flourish.   I welcome your comments..

(1) List of Ethnic Riots, Wikipedia (2) History,  Emanuel African American Episcopal Church http://www.emanuelamechurch.org

Images are from the public domain

On Being a Southern Writer by Marla Cantrell


A person sitting on the ground in front of water.
I was born in Phoenix on a day so hot even the desert sighed. It feels like a small misstep, this beginning in Arizona, so far from
my parents’ people in the hills of Arkansas. They had moved to Phoenix a few years before so my daddy could find work, because times were hard in the South at that time. And they did prosper, but they did not thrive.
It was made right the year I turned six, when we moved home. By then my mama, an only child, was aching for her own mama, was overcome by the promise of snow in winter, blackberries in spring, and thunderstorms that blew up an afternoon, that punctuated a solitary night that had been unremarkable until the first round of thunder drove her from her bed, caused her to bound to the porch where she watched the lightning battle an invisible army in the inky, rumbling sky.

I have heard other people’s stories of finding home. Of how, after deplaning in New York City, they were able to navigate the great city as if they’d spent their entire life there. I have a friend who moved all the way to New Zealand to find home, there by the ocean, in a place so glorious she feels as if her life has been restored twelve times over.

My parents’ decision to return to the South brought me to my own home. I remember stepping out of the station wagon at my grandma’s house after traveling more than a thousand miles. I remember taking off my shoes and feeling the dew on the thick grass, seeing the bright blue sky above me, hearing birds call out from a nearby pecan tree. I don’t know what paradise is to you, but I have never come closer than that moment.

There is music everywhere in the South. Bluegrass bands show up on town squares, unbidden, and perform for passersby. Families get together on front porches to sing country music, to sing gospel. There are harp singers who congregate in wooden buildings, using nothing but their voices in an art form older than the hills. As a child, just after arriving in Arkansas, I sat amongst pews of worshippers at a tiny Baptist church. They sang with the gliding vowels of all southerners, with the languid ending to words, dropping “g’s” as easily as dropping quarters in the collection plate.

On the stereo late at night, my parents listened to Johnny Cash and Roger Miller and Tammy Wynette. On Saturdays when my uncle visited, full of liquor, his tongue loose, he’d tell stories so rich and full they seemed to play out as cinematically as any movie. Before he’d call a cab to leave, he’d try to climb atop our gentle horse, Candy, the attempt both slap-stick funny and heartbreaking all at once.

I spent my childhood summers, beginning when I was six years old, working on farms, picking strawberries first and then tomatoes and bell peppers, as the season progressed. I hoed soybeans before any of us knew how good they were for our health. There, in the fields, I met workers from deep in the hills, whose lives depended on abundant crops and backbreaking work. They told stories of love gone wrong, time in the slammer, the inescapable pull of get-rich-quick schemes. When they talked, I felt as if I was opening other people’s mail, as if I was eavesdropping, and it thrilled me to be privy to this adult world, to these great voices of the South.

These are the people I think of today when I write. The church people in their pressed clothes, the women in tight curls, the men with hair slicked back, solemn, hopeful. My uncle, wrecked by alcohol, and fueled by stories. The field hands, tied to the earth in a way I seldom see today, betting on a better day, even though the odds were against them. I close my eyes and hear their voices, that lyrical sound that is better than any concert. I remember, and I wait for inspiration to hit. It always does. This place, my home, hasn’t failed me once. I work every day to return the favor.
###
Marla Cantrell is the managing editor/lead writer for Do South Magazine in Arkansas. Each month she publishes a short story in Do South, along with several other articles. She’s won several awards, including a 2014 Arkansas Arts Council Award for Short Fiction. Her fiction has been published in several magazines and anthologies. You can follow her on Twitter at @SouthernPencil.

To read a few Marla’s short southern stories, click on the links below. (Each month she publishes a new short story for Do South Magazine. Be sure to check in regularly for those.)

Carry Me Over:http://southernpencil.com/carry/
As Long As You Remember:http://dosouthmagazine.com/as-long-as-you-remember/
Struck: http://dosouthmagazine.com/struck/